The vintage lighting, the warmth, and the distant clatter of bowling pins have lent Brooklyn Bowl a homey feel for many since it opened so many years ago. This is especially true for Tauk, who rose the ranks through the jam scene playing show after show at the effervescent Williamsburg venue. As the energetic quartet took the stage, the vibe was very much that of a home game, and from the first pitch it was an absolute heater.
Tauk is a four piece band consisting of masterful synth & keys, blistering guitar, pounding bass, and transcendent drums. Their form of musical odyssey may best be described as intense, with a rhythm section that sets your blood to pumping and melodic ventures that send you on cerebral journeys. The band came in hot, and soared to incredible heights between the two opening jams, Dead Signal and Moon Dub. The first set flew by at blinding speed, delivering a heavy dose of headbanging that fans have come to expect from Tauk. From deep space jams to unbelievably tight riffs, the band was absolutely locked in.
Rarely is a band able to stretch the range between form and freedom as far as Tauk, coming out of unique and moving solos into precise and powerful leading lines. As a result, the crowd became similarly entranced, fully on top of every beat spinning out of drummer Isaac Teel’s magic fingers. We all moved as one as the drums skittered past engaged eardrums at light speed through the entirety of the show, delivering an unforgettable performance.
Highlights of the night included brand new songs heretofore unreleased to the public. One of these tracks came in the first set, and has recently been titled “Hot Brown” – a smooth and laid back groove that eventually gave into a headbanging thrash tune, an irresistible combo that evoked both rock tradition in form and music’s future through synthetic tone and texture. Another new track, delivered early in the second set, spurred excited whispers amongst the crowd, hopeful for a new album from a band whose work from the studio has yet to disappoint.
The Funky Dawgs horn players came out for both debuts, and sat in on other bangers as well, including a personal favorite, “Dormammu.” The crackling quartet closed out a driven first set with a smile-ripping rendition of Nirvana’s “In Bloom,” accompanied by blazing solos from guitarist Matt Jalbert and pianist/synth aficionado Alric "A.C." Carter. The team ended the night by bringing the Funky Dawgs horns back out for a romp through “Mindshift,” one of the band’s oldest and most impressive musical feats. Bassist Charlie Dolan danced nimbly around the fretboard, infecting the entire groove with contagious syncopation to finish out the show. We didn’t want to go home, and cannot wait until the next time we get to see such a spectacular band do their thing. Keep your eyes out for their new album as well!
Connect with Tauk on Instagram, Spotify, TikTok and their website.
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Jonathan Sherman
Jonathan is a multi-talented creative who bridges the worlds of music and technology. As the CEO and founder of Return Records, he is building a modern record label with a retro-inspired sound. As a Change Manager and Digital Experience Specialist at an international organization, he focuses on reimagining user experiences. From his early inspirations listening to Bob Dylan and Motown, to his work today as a musician, DJ, and label founder, Jonathan embodies a dynamic and multidisciplinary approach to artistry, proving that music and tech can find their perfect groove.
During golden hour on the rooftop of Return Records (the setting of many music videos and most recently, a songwriting camp), we caught up Jonathan, where he answered a few questions for the groovement:
What was the first concert you attended?
The first concert I ever attended was Bob Dylan in the early 2000s at the Portland Civic Center. At the time, guitar and songwriting were my whole world, so seeing Dylan live left a major impression. I was struck not only by his place as one of the greatest songwriters of all time, but also by his longevity and the way he constantly reinvented his music. It showed me that artistry can be timeless, dynamic, and always evolving.
Where are you from?
I’m originally from Kennebunkport, Maine, though I also grew up in Newton, Massachusetts just outside of Boston. I spent about ten years in Newton and another ten years in Maine before moving to Washington, DC. There, I studied international affairs and economics at American University and later earned a master’s in information technology from Georgetown University. I went on to spend around 12 years working in the government tech sector and entertainment. About two and a half years ago, I relocated to New York City, which has become home and the center of my work in both music and technology.
What do you do?
That’s the proverbial question in New York — and for me, it’s a two-part answer. By night, I’m in the music industry as the CEO and founder of Return Records, a distributed label with The Orchard and Sony Music. We focus on analog and retro-inspired sounds across house, pop, and rock, with the goal of becoming the Motown of the digital era. The label supports artists through live performance opportunities, publishing administration, music distribution, community building, and production.
By day, I’m a Change Manager and Digital Experience Specialist at an international organization. My work there is about reimagining user experiences for their digital products and helping drive adoption of AI tools among staff and contractors. It’s a balance of innovation and artistry — and both sides feed each other in surprising ways.
Who or what do you draw inspiration from?
I’ve always been a multidisciplinary artist, so my inspiration comes from many places.
In music, I’m influenced by Motown, Stevie Wonder, Alicia Keys, Daft Punk, The Strokes, The Black Keys, The Beatles, Bob Dylan, Tears for Fears, Michael Jackson, Wham!, Hall & Oates, and the Philadelphia Sound.
In art, my mother — a visual artist — introduced me to Van Gogh, Picasso, Maurice Utrillo, and the Impressionists.
In fashion, I’ve been drawn to American designers like Tom Ford and Thom Browne, as well as Italian masters like Giorgio Armani.
At the heart of it, I’m inspired by the spirit of 1920s French soirees — where music, art, fashion, and lifestyle merged to create transformative experiences.
What does live music mean to you?
For me, live music has always been about connection. When I was growing up, live performance meant seeing the artist in full — not just hearing their songs, but experiencing their presence and how they connected with people.
Today, I think live music has become something even more multi-dimensional. In a world shaped by digital platforms, social media, and post-COVID virtual experiences, live entertainment is about creating a multi-sensory, emotional connection. A great live show should engage all the senses — sight, sound, even atmosphere — and bridge the digital with the physical. To me, the best performances are immersive, holistic experiences that leave audiences feeling transformed.
Do you play any instruments?
Yes, I play several. I play acoustic and electric guitar, piano and keyboard, and I’m also a DJ, spinning mostly disco house and funky house. I’ve always been both a performer and an instrumentalist. While I don’t claim to be the best among my friends, I’ve always had enough rhythm and grounding in music fundamentals to write songs and shape ideas. From there, I often let performers and producers elevate the work. That’s been my process as a singer-songwriter and it continues in my role as a label founder.
Connect with Jonathan on Instagram, via email (info@returnrecords.com) or by phone (301-335-2794).
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